A Nude With Fallen Trees
Walking through the woods and finding a patch of long fallen trees provided a great backdrop for a few figure studies over the summer. The twisted shapes and rough textures contrasted perfecting with the human form.
Expired Film On A Silent Beach
I used to work with expired film a lot. That was of course back in the day when a roll of expired film cost about fifty cents. At that price is was worth the risk of making an image with unpredictable imperfections. Sometimes the risk paid off, sometimes it didn’t.
Nudes With 4x5 Film
I always feel a little intimidated to work with large format 4×5 film and people. When working with the nude in particular, there is a pressure to work quickly, which goes against the ethos of large format, a medium that rewards patience and taking your time.
David Lynch Mural, SE Portland
I’m a big admirer of the late film director David Lynch. I’m also a supporter of public murals. Using the city of Portland as a canvas for art is possibly the best way to bring people together and create a sense of shared space. A large mural of David Lynch was recently unveiled on the inner east side.
Missing Polaroid Type 65
I dearly miss Polaroid Type 65 film. I used to work with it quite often. It was a fantastic peel apart instant film that provided both a positive print and a negative all in one. Fantastic stuff that is sadly long gone.
The Nude And Shape In The Studio
Working with black and white film is often about simplicity. This is especially true when photographing a nude. Working with a single flood light and a camera on a tripod, I can find infinite ways to work with shapes and shadows.
Hasselblad 150mm f/4 "Portrait" Lens
I don’t often work with “portrait” lenses. Most of the time I prefer wide angle focal lengths, even when working with people. Sometimes it is important to step away from what you are used to and try something new.
Playing With Form And A Typewriter
…more images using my vintage Olympia SM3 as a prop. The lines of the typewriter blend beautifully with the human body.
Using The Hasselblad SWC In Small Spaces
The Hasselblad SWC can be the perfect camera when working in tight spaces. In this case it was a tiny balcony overlooking the Chinatown district in Portland.
A Sliver Of Forest Light
Working with black and white film can be incredibly challenging on bright sunny days in thick forest settings. Light values get quite extreme, from very bright highlights to deep shadows. It takes some very careful metering to get. good negative.