Nudes With 4x5 Film
I always feel a little intimidated to work with large format 4×5 film and people. When working with the nude in particular, there is a pressure to work quickly, which goes against the ethos of large format, a medium that rewards patience and taking your time.
Color Film In The Summer Sun
I don’t work with color film nearly as often as I should. This is especially true in the summer months here in Oregon when we have glorious blue skies and warm colors everywhere you look. It’s a perfect combination for film stocks like Kodak Ektar.
Missing Polaroid Type 65
I dearly miss Polaroid Type 65 film. I used to work with it quite often. It was a fantastic peel apart instant film that provided both a positive print and a negative all in one. Fantastic stuff that is sadly long gone.
The Nude And Shape In The Studio
Working with black and white film is often about simplicity. This is especially true when photographing a nude. Working with a single flood light and a camera on a tripod, I can find infinite ways to work with shapes and shadows.
Hasselblad 150mm f/4 "Portrait" Lens
I don’t often work with “portrait” lenses. Most of the time I prefer wide angle focal lengths, even when working with people. Sometimes it is important to step away from what you are used to and try something new.
Playing With Form And A Typewriter
…more images using my vintage Olympia SM3 as a prop. The lines of the typewriter blend beautifully with the human body.
Using The Hasselblad SWC In Small Spaces
The Hasselblad SWC can be the perfect camera when working in tight spaces. In this case it was a tiny balcony overlooking the Chinatown district in Portland.
Color Film With Morning Light
Early morning light is often the best light. Especially when working with the human figure and color film. There is a warm glow that is impossible to capture in any other way.
A Sliver Of Forest Light
Working with black and white film can be incredibly challenging on bright sunny days in thick forest settings. Light values get quite extreme, from very bright highlights to deep shadows. It takes some very careful metering to get. good negative.
Getting Abstract With The Olympia SM3
I appreciate good solid machines. Which is part of the reason I love working with film cameras. I also have a great amount of affection for old typewriters too.