On a recent trip out to the Oregon Dunes I was treated to a surprise at the end of a long trail. It seemed like I had been hiking for hours with my companion for the day and when we emerged from the endless hills and plateaus of hot sand we came to an empty beach along the Pacific Ocean and a massive piece of driftwood that came from who knows where.

After so much open space with only tiny patches of dry grass to dot the landscape, the discovery felt like stumbling upon a cathedral.

The driftwood had clearly been sitting there on the beach for some time because it was hardened and bleached white from the sun. In fact, by the time we found it it was well past noon and the sun was incredibly high in the sky. Not at all the ideal conditions for a spontaneous photo session.

However, I’ve never been one to let that stop me. If I waited around all the time for the ideal conditions to make photographs then my camera would permanently sit on a shelf. No, better to work with the lighting conditions and the scene fate has given you and do the best you can with it.

You can tell in these images however that the light was quite harsh. It was also nearly impossible to load up medium format film without getting some of the edges of the film exposed. Normally I like to load up my film in the shade to avoid light leaks along the edge of the film, but there was no shade what-so-ever to be found. Oh well… The work must continue anyway.

For this trip I brought along my Pentax 645n which isn’t a camera I typically bring on outdoor adventures. I consider it to be more of a “city” camera because unlike most of my medium format gear it has a lot of automated features that are great when I’m trying to work quickly with a bit of stealth, but have no real advantage for me in isolated outdoor spaces. I prefer to work slower and more deliberately while the Pentax 645n is designed for a little more speed.

Still, it was an interesting experience!

Camera: Pentax 645n with 80mm f/2.8 lens.

Film: Ilford FP4 in medium format.


I support my photography in part with fine art print sales. All prints are limited edition and printed using traditional darkroom techniques on fiber based silver gelatin paper. If you like my work, consider supporting the arts and buying print via my Saatchi Store.

Alexis Kennedy

My name is Alexis Kennedy, welcome to my site! I have a passion for making images wherever and whenever I can. I seek to capture humanity and the world around me with a focus on the figure. Film, digital, pinhole, and instant photography are all fair game for me.


I grew up in the California Bay Area and started taking photography seriously in High School. I was one of the lucky few who had a chance to go to a high school with a working darkroom and a teacher who understood that making images was an art form – care and patience was a necessity in the image making process from start to finish.


Later in life I attended the University of California in Santa Cruz where I received a Bachelors Degree in the History of Art and Visual Culture. After having my fill of the California sunshine I packed up my life and moved to the Pacific Northwest. I quickly found the overcast skies, lush forests, cooler temperatures, and creative communities to be a perfect match for my work.


Over the years I have exhibited my photographs in several galleries and art shows including the Seattle Erotic Arts Festival and Cascade AIDS Project. I’ve published a few books and taught workshops up and down the west coast of the United States. Through this site I’m hoping to share my work and perhaps inspire others along the way.

http://www.alexiskennedyphotography.com
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A Nude With Fallen Trees