Downtown Los Angeles With A Holga Plastic Camera

It feels like it has been ages since I’ve taken one of my Holga cameras for a spin around the neighborhood. Or in the case of this photograph, a spin around downtown Los Angeles.

Every so often I like to just hop on a plan and head down to Southern California for the fun of it. Plane tickets from Portland to LAX can be incredibly cheap if you look hard enough - less than $40 each way. Rent an economy car and a Super 8 Motel and you’re golden for a few days of walking around, soaking in some sun, and making some photographs in an iconic American city. Pretty much the perfect vacation in my book.

Black and White photograph of a mural in downtown Los Angeles made with a Holga plastic Camera.

On this particular trip the only camera I brought with me was the Holga. Even more unusual is the fact that I spent the better part of a day just walking up and down the street of downtown Los Angeles. I’m typically more of a Venice Beach kind of a person but I was in the mood for some grime. It was good that I brought plenty of Kodak Tri-X film with me because despite all the sunshine in LA, the downtown area seems to be in perpetual shadow thanks to the multitude of high rises, office towers, and apartment buildings. This image might seriously be the most perfectly exposed Holga image I’ve ever done.

Looking at this image gives me the urge to use my Holga again. I think it’s been at least a year since I’ve run a roll of film through it and probably even longer since I’ve done anything I would deem as serious. That’s a shame. The Holga can be a really great tool for releasing some creative cobwebs thanks to the fact that it is more or less a point and shoot camera. Actually, I would say it is even less than that (in a good way…). Point and shoot cameras still tend to have some degree of precision or at the very least have a behavior that is predictable. The Holga, for all its lack of control and plastic components just tends to do what it wants to do.

Which ultimately means as the photographer, the only choice you get to make is whether or not to expose a frame and commit the moment to film.

Camera: Holga 120 Plastic Camera.

Film: Fomapan 100 in medium format. Developed in Rodinal.


I support my photography in part with fine art print sales. All prints are limited edition and printed using traditional darkroom techniques on fiber based silver gelatin paper. If you like my work, consider supporting the arts and buying print via my Saatchi Store.

Alexis Kennedy

My name is Alexis Kennedy, welcome to my site! I have a passion for making images wherever and whenever I can. I seek to capture humanity and the world around me with a focus on the figure. Film, digital, pinhole, and instant photography are all fair game for me.


I grew up in the California Bay Area and started taking photography seriously in High School. I was one of the lucky few who had a chance to go to a high school with a working darkroom and a teacher who understood that making images was an art form – care and patience was a necessity in the image making process from start to finish.


Later in life I attended the University of California in Santa Cruz where I received a Bachelors Degree in the History of Art and Visual Culture. After having my fill of the California sunshine I packed up my life and moved to the Pacific Northwest. I quickly found the overcast skies, lush forests, cooler temperatures, and creative communities to be a perfect match for my work.


Over the years I have exhibited my photographs in several galleries and art shows including the Seattle Erotic Arts Festival and Cascade AIDS Project. I’ve published a few books and taught workshops up and down the west coast of the United States. Through this site I’m hoping to share my work and perhaps inspire others along the way.

http://www.alexiskennedyphotography.com
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Getting Abstract With The Olympia SM3

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Morning Fog On Film