Reflections At Rooster Rock (on the Columbia River…)
Rooster Rock is an Oregon State Park that hugs the Columbia River about a forty minute drive east of Portland. It’s an incredible landscape that also happens to be a clothing optional space, which is quite convenient for photographers like me.
Two Photographs From Drift Creek Falls
I often look for easy day hikes where I can take my camera along and enjoy a little solitary bliss. Drift Creek Falls, located not far from Lincoln City along the Oregon Coast is one of those places. The hike is only a few miles and leads to a wonderful waterfall and beautiful scenery.
Photo Sessions Away From Home
Nearly a decade ago now, I went through a phase where I spent ninety percent of my time away from home, traveling up and down the west coast of the United States. It was both thrilling and exhausting and I did a lot of photo sessions during that time. Every so often I like to revisit the results.
A Nude With Fallen Trees
Walking through the woods and finding a patch of long fallen trees provided a great backdrop for a few figure studies over the summer. The twisted shapes and rough textures contrasted perfecting with the human form.
Expired Film On A Silent Beach
I used to work with expired film a lot. That was of course back in the day when a roll of expired film cost about fifty cents. At that price is was worth the risk of making an image with unpredictable imperfections. Sometimes the risk paid off, sometimes it didn’t.
Hasselblad 150mm f/4 "Portrait" Lens
I don’t often work with “portrait” lenses. Most of the time I prefer wide angle focal lengths, even when working with people. Sometimes it is important to step away from what you are used to and try something new.
Playing With Form And A Typewriter
…more images using my vintage Olympia SM3 as a prop. The lines of the typewriter blend beautifully with the human body.
Color Film With Morning Light
Early morning light is often the best light. Especially when working with the human figure and color film. There is a warm glow that is impossible to capture in any other way.
A Sliver Of Forest Light
Working with black and white film can be incredibly challenging on bright sunny days in thick forest settings. Light values get quite extreme, from very bright highlights to deep shadows. It takes some very careful metering to get. good negative.
Getting Abstract With The Olympia SM3
I appreciate good solid machines. Which is part of the reason I love working with film cameras. I also have a great amount of affection for old typewriters too.